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The Coming Dark
45" x 72"
1997
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detail
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"The Coming Dark" is about
death, that old fellow who looms behind us all.
"Death is the mother of beauty," says Wallace Stevens. It's
our knowledge of the passing of our lives that endows them with such poignancy
and can make
us so much more aware. The piece is slightly larger than life, includes
deconstructed iris which have personal meaning to me, and has the shape
of a
Japanese jacket because death is both familiar and exotic.
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Interior with Charmeuse,
50" x 40.5"
2002
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detail
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"Interior with Charmeuse"
is a reflection on the inner lives of people around me. I began with the
thought of Virginia Woolf's Mrs. Brown buttoned into her hot (probably
polyester) suit, frowsy and grumpy, with an inner life that is pulsing
and hot and lively. This "Interior" is part of a series that
examines the wild interior of our routine-seeming lives.
June O. Underwood, Phi Beta Kappa with
degrees from Penn State and SUNY at Stony Brook, taught college language
and literature for 20 years and then began her work in art. She is primarily
as a studio art quilter although she dabbles in other media. Her husband
of 30-some years tolerates with equanimity whatever messes she is making.
Her daughter and granddaughter critique her work while doing a fair bit
of art on their own.
As a fiber artist, Underwood paints
and dyes most of the fabric she uses in her art. Then she stitches --
with sewing machine, Pro-Freehander, and serger, -- incorporating whatever
other tools and techniques are necessary. When it's absolutely unavoidable,
she does hand work with needle and thread. She is a member of the Columbia
Stitchery Guild, the Studio Art Quilt Association, the Surface Design
Association, and the American Society of Crows and Ravens. She has exhibited
studio art quilts locally and nationally.
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